Skin Deep: Analyzing Black Representation in the Teaching of Visual Arts

My honors thesis argues that at Bowdoin College, failure to provide Culturally Relevant Teaching in art studio courses dismisses the representation of Blackness in the Visual Arts Department. Culturally Relevant Teaching (CRT) recognizes the importance of all students' cultural experiences in different aspects of learning. It allows for equitable access to education for students of diverse backgrounds. CRT is crucial to reconstructing Art Education to represent diverse student bodies. My position as a Black-Indigenous artist enables me to reflect on the intersection of these frameworks and to build upon them in order to highlight the need for pedagogical practice in studio art courses, that doesn’t center technical training derived from the Western canon of art production in Bowdoin’s Visual Arts Department. My research lives on a digital format, where you will engage with the history of Art at Bowdoin from 1794 to the present, oral histories from Black identifying alumni who have navigated the department, theoretical frameworks, and an auto ethnography that breaks down my self-taught pedagogical practice in response to the representational gaps in the curriculum. As you navigate this site, I ask you to follow the written instructions and engage with the interactive material. I will virtually guide you through this project chronologically, and through the lens in which I have experienced personally and through observation.