Showing 1 - 7 of 7 Items
Possessing Her: Embodying Identity in Exorcism Cinema Access to this record is restricted to members of the Bowdoin community. Log in here to view.
Date: 2021-01-01
Creator: Alicia Echavarria
Access: Access restricted to the Bowdoin Community
Theories of Thanks: Affect Studies, Reciprocity, and Theoretical Perspectives on Gratitude This record is embargoed.
- Embargo End Date: 2027-05-19
Date: 2022-01-01
Creator: Clayton James Wackerman
Access: Embargoed
Who We Are: Incarcerated Students and the New Prison Literature, 1995-2010
Date: 2013-05-01
Creator: Reilly Hannah N Lorastein
Access: Open access
- This project focuses on American prison writings from the late 1990s to the 2000s. Much has been written about American prison intellectuals such as Malcolm X, George Jackson, Eldridge Cleaver, and Angela Davis, who wrote as active participants in black and brown freedom movements in the United States. However the new prison literature that has emerged over the past two decades through higher education programs within prisons has received little to no attention. This study provides a more nuanced view of the steadily growing silent population in the United States through close readings of Openline, an inter-disciplinary journal featuring poetry, essays, fiction, and visual art created by incarcerated students enrolled in the College Program at San Quentin State Prison. By engaging the first person perspective of the incarcerated subject, this project will reveal how incarcerated individuals describe themselves, how they maintain and create intimate relationships from behind bars, and their critiques of the criminal justice system. From these readings, the project outlines conventions of “the incarcerated experience” as a subject position, with an eye toward further research analyzing the intersection of one's “incarcerated status” with one’s race, class, gender, and sexuality.
Unraveling Paradise: Colonialism and Disguise in German Language Literature
Date: 2022-01-01
Creator: Brigita Kant
Access: Open access
- For centuries, the Pacific Islands have been disguised by Europeans through the trope of “island paradise." Despite Europe’s role in bringing colonization and racial oppression to Oceania, the dominant narrative has been that Pacific Islanders lead simple lives, untouched from the complicated aspects of the “modern world.” This narrative has enabled White outsiders to fantasize about the Pacific Islands as a place for personal denial of Western social conventions, simultaneously allowing White European men to fetishize and possess Pacific Island culture and identity. My honors project will closely examine three fictional German language texts- Haimotochare (1819), Der Papalagi (1920), and Imperium (2012)- centered around the exploration German colonial involvement in Pacific Islands. My analysis of these texts will allow for the understanding of how the false narrative of “island paradise” came to be, how it has been embraced and weaponized, and what it means for both German and Pacific Islander post-colonial identity.
Empire of Horror: Race, Animality, and Monstrosity in the Victorian Gothic
Date: 2022-01-01
Creator: Grace Monaghan
Access: Open access
- This project examines Victorian England through the analysis of three Victorian gothic novels: Bram Stoker’s Dracula (1897) and The Jewel of Seven Stars (1903/1912), and Richard Marsh’s The Beetle (1897). The end of the nineteenth century and the final years of the Victorian era brought with them fears and uncertainties about England’s role in the world and its future, fears that the Victorian gothic sought to grapple with, but inevitably failed to contain. In examining this genre, I draw on “Undisciplining Victorian Studies” (Chatterjee et al, 2020), which calls for the field of Victorian studies to center racial theory. As such, I foreground race and whiteness in these novels, in conjunction with animality, empire, and sexuality, all of which were crucial tools in the imperial gothic’s project of constructing the monstrous Other. The British empire relied on the establishment of a physical and moral boundary between itself and the colonized Other, in order to justify its imperialism and maintain its own perceived superiority. Yet, ultimately, this project demonstrates that the boundaries between the self and the Other, between morality and monstrosity, and between mainland England and its empire, were dangerously porous.
Mémoire et souvenir dans l'imaginaire antillais - Maryse Condé et Fabienne Kanor: Identité et existence noire aux Antilles et en France
Date: 2020-01-01
Creator: Elijah B Koblan-Huberson
Access: Open access
- L’histoire d’un peuple est en grande partie liée à sa mémoire, aux souvenirs et commémorations des évènements passés et des ancêtres.En raison de la colonisation et ses conséquences, les habitants des îles de la Guadeloupe et de la Martinique vivent un malaise vis-à-vis de la mémoire en tant que peuple antillais.Par conséquent, il est important de se demander comment, après la déshumanisation effectuée par l’extermination des premiers habitants, les Caraïbes et les Arawaks, l’esclavagisation des Africains, et la colonisation des territoires antillais, une nouvelle conceptualisation de la mémoire peut mener à une nouvelle conceptualisation de l’existence et de l’identité pour l’être humain antillais qui provient de ceux qui ont été esclavagisés. Pour répondre à la question nous examinerons les romans de Maryse Condé et de Fabienne Kanor.
Minor, Ugly, and Meta: Feelings in Contemporary Korean American Literature
Date: 2022-01-01
Creator: Kyubin Kim
Access: Open access
- In 2019, Korean American writer Cathy Park Hong published her memoir Minor Feelings: An Asian American Reckoning in the midst of a turning point in Asian American politics. Hong describes minor feelings as “emotions that are negative, dysphoric, and therefore untelegenic, built from the sediments of everyday racial experience and the irritant of having one’s perception of reality constantly questioned or dismissed.” Used as a concept to summate the Asian American experience in white America as living in a country where one’s reality is constantly questioned and made invisible, minor feelings forges an affective framework to study minoritized, diasporic literature. My project enriches Hong’s “minor feelings” by studying Korean American literature through a transnational and multimedia lens, considering how Korea’s colonial history and nation-building play roles in emoting Korean American self-realities. I structurally model my project after Sianne Ngai’s Ugly Feelings, split into four chapters, each focusing on one affect: shame, anger, han, and love. My project follows and documents the contemporary shifts occurring in Korean Americana, in how they perceive collective racial and diasporic identity, the intersectionality of layered identities, and the younger generations’ call for coalition. Since Korean American affects often are studied as an afterthought to Korean affects, my project retains a focus on the Korean American experience, recentering members of a diaspora whose globalizing homeland’s triumphs may eclipse their minor, invisible realities in America.