Showing 1 - 10 of 20 Items
Descriptive Catalogue of the Bowdoin College Art Collections
Date: 1903-01-01
Access: Open access
- Includes indexes.
Catalogue of the Bowdoin College Art Collections: Part 1: The Bowdoin Drawings
Date: 1885-01-01
Creator: Henry Johnson
Access: Open access
- Catalogue from the Bowdoin College Museum of Art.
Catalogue of the Bowdoin Drawings
Date: 1881-01-01
Creator: Frederick Winslow
Access: Open access
- Catalogue from the Bowdoin College Museum of Art.
Catalogue of the Bowdoin Collection of Paintings, Bowdoin College
Date: 1870-01-01
Access: Open access
- "Note" signed: J.B.S
Pervasive, yet Elusive, Dionysos
Date: 2001-01-01
Creator: Olivia C. Vitale
Access: Open access
- Catalog of an exhibition held at the Bowdoin College Museum of Art, Apr. 12-June 17, 2001.
Descriptive Catalogue of the Bowdoin College Art Collections
Date: 1895-01-01
Creator: Henry Johnson
Access: Open access
- Includes index.
500 Years of Printmaking: Prints and Illustrated Books at Bowdoin College
Date: 1978-01-01
Creator: David P. Becker
Access: Open access
- Exhibition held Oct. 13-Dec. 31, 1978. Preface by Katherine J. Watson.
Collecting Privately
Date: 1965-01-01
Access: Open access
- Exhibition catalogue from Bowdoin College Museum of Art.
Walker Sisters and Collecting in Victorian Boston
Date: 2007-01-01
Creator: Laura Fecych Sprague
Access: Open access
- Catalog of an exhibition held at the Bowdoin College Museum of Art Oct. 14, 2007 to August 24, 2008 to celebrate the Walker Art Building's renovation and expansion by architects Machado and Silvetti, Boston.
Site, Power, and Experience: Three Contemporary Installation Works on Global Mobility
Date: 2021-01-01
Creator: Xiyin Sabrina Lin
Access: Open access
- This Honors Project investigates the themes of immigration, space, and mobility through the lens of contemporary installation art. It addresses a brief history of global contemporary art, arguing that art of the past two decades has been shaped by preoccupations with and tensions surrounding space. Using the works of Yanagi Yukinori, Alfredo Jaar, and Doris Salcedo as case studies, the essay analyzes how artists use the medium of installation to address institutional history, contemporary geopolitics, as well as individual and collective experience. It interrogates the different aspects of installation art, including temporality, site-specificity, and the use of language, to demonstrate how the medium allows artists to use their own position in the system to critique its inherent limitations.