Showing 1 - 10 of 11 Items

Date: 2023-01-01

Creator: Miki Rierson

Access: Open access

In this project I work to recover influential yet often erased Asian American female immigrant chefs and food authors from the mid-twentieth century to the present, situating their contributions in a deep-rooted tradition of diasporic women who used cooking as a means of communal agency and care. Immigrant Asian cookbook authors and chefs have long faced internal criticisms from their own diasporic communities of either inauthenticity or engaging in “food pornography,” to use writer Frank Chin’s term—a line of criticism that Lisa Lau has elaborated on as “re-Orientalism.”Though these criticisms should not eclipse the works themselves, I discuss and counter them in my project because they reflect broader challenges faced particularly by Asian female diasporic authors even today. , I seek to address a broader scholarly gap through my project. Presently, much important work exists on the legacies of historical trauma and violence on marginalized communities, work that highlights the insidious ways violence manifests in academia, pop culture, and everyday lives. This project is a personal pursuit to focus on the healing and beautiful aspects of diasporic community and identity, an ode to the parts of us that are not defined by the pain and suffering but that seek self-affirmation beyond them.

Date: 2023-01-01

Creator: Corey Schmolka

Access: Access restricted to the Bowdoin Community

• Embargo End Date: 2028-05-18

Date: 2023-01-01

Creator: Paloma Ada Aguirre

Access: Embargoed

• Embargo End Date: 2027-05-19

Date: 2022-01-01

Creator: Clayton James Wackerman

Access: Embargoed

Date: 2022-01-01

Creator: Brigita Kant

Access: Open access

For centuries, the Pacific Islands have been disguised by Europeans through the trope of “island paradise." Despite Europe’s role in bringing colonization and racial oppression to Oceania, the dominant narrative has been that Pacific Islanders lead simple lives, untouched from the complicated aspects of the “modern world.” This narrative has enabled White outsiders to fantasize about the Pacific Islands as a place for personal denial of Western social conventions, simultaneously allowing White European men to fetishize and possess Pacific Island culture and identity. My honors project will closely examine three fictional German language texts- Haimotochare (1819), Der Papalagi (1920), and Imperium (2012)- centered around the exploration German colonial involvement in Pacific Islands. My analysis of these texts will allow for the understanding of how the false narrative of “island paradise” came to be, how it has been embraced and weaponized, and what it means for both German and Pacific Islander post-colonial identity.

Date: 2022-01-01

Creator: Grace Monaghan

Access: Open access

This project examines Victorian England through the analysis of three Victorian gothic novels: Bram Stoker’s Dracula (1897) and The Jewel of Seven Stars (1903/1912), and Richard Marsh’s The Beetle (1897). The end of the nineteenth century and the final years of the Victorian era brought with them fears and uncertainties about England’s role in the world and its future, fears that the Victorian gothic sought to grapple with, but inevitably failed to contain. In examining this genre, I draw on “Undisciplining Victorian Studies” (Chatterjee et al, 2020), which calls for the field of Victorian studies to center racial theory. As such, I foreground race and whiteness in these novels, in conjunction with animality, empire, and sexuality, all of which were crucial tools in the imperial gothic’s project of constructing the monstrous Other. The British empire relied on the establishment of a physical and moral boundary between itself and the colonized Other, in order to justify its imperialism and maintain its own perceived superiority. Yet, ultimately, this project demonstrates that the boundaries between the self and the Other, between morality and monstrosity, and between mainland England and its empire, were dangerously porous.

Date: 2022-01-01

Creator: Kate Elizabeth Tapscott

Access: Open access

¿Cómo es que se puede escapar verdaderamente de la opresión patriarcal? Esta investigación aborda a través de un análisis de la literatura de escritoras del Cono Sur el asunto complicado de la liberación bajo un sistema en constante mutación. En el primer capítulo, a partir de aportes teóricos de Freud, Josefina Ludmer y Homi Bhabha entre otros, analizo cuentos de Jorge Luis Borges, Silvina Ocampo, y Clarice Lispector cuyas protagonistas intentan resistir su condición de víctima con diversos grados de éxito. En el capítulo que sigue, exploro una tendencia reciente en la literatura de escritoras del Cono Sur que incorpora elementos del horror y lo gótico para desestabilizar una cosmovisión humanista y patriarcal. Incorporando la teoría de Gabriel Giorgi, Rosi Braidotti, y Julieta Yelin, investigo los efectos que los animales, los cuerpos, y la materia tienen en la expansión de la agencia feminista y discuto si ofrecen o no nuevas e inesperadas posibilidades para resistir el sistema.

Date: 2021-01-01

Creator: Alicia Echavarria

Access: Access restricted to the Bowdoin Community

Date: 2020-01-01

Creator: Uriel López-Serrano

Access: Open access

Sor Juana Inés de la Cruz (c. 1648-1695) was a Mexican nun, poet, playwright, and scholar from the colonial era. She has become an icon for various global, social, and political movements. This project looks at four dramatic works created by Sorjuanistas who reimagine Sor Juana’s story for contemporary audiences living in the United States. The works included in this essay are Estela Portillo-Trambley’s Sor Juana (1986), Karen Zacarías’s The Sins of Sor Juana (2001), and Alicia Gaspar de Alba’s “Interview with Sor Juana Inés de la Cruz” (1998/2014) and her newest work, Juana: An Opera in Two Acts (2019), libretto by Carla Lucero. In addition to reimagining Sor Juana’s story, these dramatic works expose the sexism, racism, and xenophobia perpetuated by U.S institutions of power that discriminate against Latin@ and Chican@ individuals. By shedding light on the social injustices that existed during the colonial era, an embodied Sor Juana teaches audiences how to resist and mobilize against such oppressive powers. Sor Juana’s narrative on stage is necessary because she is a role model for Latin@s/Chican@s. Sorjuanistas remind us that the body can be used to retell the narratives of the silenced individuals who are victims of oppression. By developing heritage performances, Sorjuanistas challenge histories that silence and overlook social injustices. Witnessing Sor Juana on stage triggers emotional responses to the past which allow historical actors to obtain intellectual, emotional, and political agency in an effort to affirm and remember particular contemporary and future commitments to fighting social injustices.

Date: 2020-01-01

Creator: Elijah B Koblan-Huberson

Access: Open access

L’histoire d’un peuple est en grande partie liée à sa mémoire, aux souvenirs et commémorations des évènements passés et des ancêtres.En raison de la colonisation et ses conséquences, les habitants des îles de la Guadeloupe et de la Martinique vivent un malaise vis-à-vis de la mémoire en tant que peuple antillais.Par conséquent, il est important de se demander comment, après la déshumanisation effectuée par l’extermination des premiers habitants, les Caraïbes et les Arawaks, l’esclavagisation des Africains, et la colonisation des territoires antillais, une nouvelle conceptualisation de la mémoire peut mener à une nouvelle conceptualisation de l’existence et de l’identité pour l’être humain antillais qui provient de ceux qui ont été esclavagisés. Pour répondre à la question nous examinerons les romans de Maryse Condé et de Fabienne Kanor.