Showing 1 - 9 of 9 Items
Possessing Her: Embodying Identity in Exorcism Cinema Access to this record is restricted to members of the Bowdoin community. Log in here to view.
Date: 2021-01-01
Creator: Alicia Echavarria
Access: Access restricted to the Bowdoin Community
Theories of Thanks: Affect Studies, Reciprocity, and Theoretical Perspectives on Gratitude This record is embargoed.
- Embargo End Date: 2027-05-19
Date: 2022-01-01
Creator: Clayton James Wackerman
Access: Embargoed
Who We Are: Incarcerated Students and the New Prison Literature, 1995-2010
Date: 2013-05-01
Creator: Reilly Hannah N Lorastein
Access: Open access
- This project focuses on American prison writings from the late 1990s to the 2000s. Much has been written about American prison intellectuals such as Malcolm X, George Jackson, Eldridge Cleaver, and Angela Davis, who wrote as active participants in black and brown freedom movements in the United States. However the new prison literature that has emerged over the past two decades through higher education programs within prisons has received little to no attention. This study provides a more nuanced view of the steadily growing silent population in the United States through close readings of Openline, an inter-disciplinary journal featuring poetry, essays, fiction, and visual art created by incarcerated students enrolled in the College Program at San Quentin State Prison. By engaging the first person perspective of the incarcerated subject, this project will reveal how incarcerated individuals describe themselves, how they maintain and create intimate relationships from behind bars, and their critiques of the criminal justice system. From these readings, the project outlines conventions of “the incarcerated experience” as a subject position, with an eye toward further research analyzing the intersection of one's “incarcerated status” with one’s race, class, gender, and sexuality.
"What's Outside the Window?": Evil, Literature, and Detection in Roberto Bolaño's Fiction This record is embargoed.
- Embargo End Date: 2026-05-18
Date: 2023-01-01
Creator: Andrew YH Chang
Access: Embargoed
This is What You Want: Stories
Date: 2017-05-01
Creator: Savannah Blake Horton
Access: Open access
- This is What You Want: Stories is a collection of nine stories exploring the role of humor in dark situations. It is a work of fiction.
Empire of Horror: Race, Animality, and Monstrosity in the Victorian Gothic
Date: 2022-01-01
Creator: Grace Monaghan
Access: Open access
- This project examines Victorian England through the analysis of three Victorian gothic novels: Bram Stoker’s Dracula (1897) and The Jewel of Seven Stars (1903/1912), and Richard Marsh’s The Beetle (1897). The end of the nineteenth century and the final years of the Victorian era brought with them fears and uncertainties about England’s role in the world and its future, fears that the Victorian gothic sought to grapple with, but inevitably failed to contain. In examining this genre, I draw on “Undisciplining Victorian Studies” (Chatterjee et al, 2020), which calls for the field of Victorian studies to center racial theory. As such, I foreground race and whiteness in these novels, in conjunction with animality, empire, and sexuality, all of which were crucial tools in the imperial gothic’s project of constructing the monstrous Other. The British empire relied on the establishment of a physical and moral boundary between itself and the colonized Other, in order to justify its imperialism and maintain its own perceived superiority. Yet, ultimately, this project demonstrates that the boundaries between the self and the Other, between morality and monstrosity, and between mainland England and its empire, were dangerously porous.
"Proud Flesh and Blood": Phineas Fletcher, Gabriel Daniel, and Seventeenth-Century Theories of Embodiment
Date: 2022-01-01
Creator: Micaela Elanor Simeone
Access: Open access
- The human body was a site of discovery and redefinition in early modern Europe. This project traces the gradual arc from the mid-seventeenth century towards Cartesian notions of the body in the later part of the century through two fictions: Phineas Fletcher (1582-1650)’s The Purple Island (1633) and Gabriel Daniel (1649-1728)’s Voyage du Monde de Descartes (1690). This project views these two largely-overlooked texts as important literary works that represent the seventeenth century’s transformative debates about and explorations of the human body. I argue that Fletcher employs a dissective mode that embraces mind-body harmony while framing the human as both fragmented and whole. I then explore how Voyage du Monde de Descartes responds to an altogether different culture in the late seventeenth century, after Cartesian ideas extracted mind from body and no longer saw the body as a significant marker of humanity. I argue that Voyage ultimately reveals—through a captivating satirical fiction—how understanding Cartesian anatomy as the product of anxiety, uncertainty, and novelty helps us better see how we became motivated to transcend our bodies.
Counter-Futurisms: Collaborative Survival and Communal Healing in a Climate-Changed World This record is embargoed.
- Embargo End Date: 2026-05-20
Date: 2021-01-01
Creator: Lianna Harrington
Access: Embargoed
Minor, Ugly, and Meta: Feelings in Contemporary Korean American Literature
Date: 2022-01-01
Creator: Kyubin Kim
Access: Open access
- In 2019, Korean American writer Cathy Park Hong published her memoir Minor Feelings: An Asian American Reckoning in the midst of a turning point in Asian American politics. Hong describes minor feelings as “emotions that are negative, dysphoric, and therefore untelegenic, built from the sediments of everyday racial experience and the irritant of having one’s perception of reality constantly questioned or dismissed.” Used as a concept to summate the Asian American experience in white America as living in a country where one’s reality is constantly questioned and made invisible, minor feelings forges an affective framework to study minoritized, diasporic literature. My project enriches Hong’s “minor feelings” by studying Korean American literature through a transnational and multimedia lens, considering how Korea’s colonial history and nation-building play roles in emoting Korean American self-realities. I structurally model my project after Sianne Ngai’s Ugly Feelings, split into four chapters, each focusing on one affect: shame, anger, han, and love. My project follows and documents the contemporary shifts occurring in Korean Americana, in how they perceive collective racial and diasporic identity, the intersectionality of layered identities, and the younger generations’ call for coalition. Since Korean American affects often are studied as an afterthought to Korean affects, my project retains a focus on the Korean American experience, recentering members of a diaspora whose globalizing homeland’s triumphs may eclipse their minor, invisible realities in America.