Showing 1 - 3 of 3 Items

Date: 2023-01-01

Creator: Rebecca Norden-Bright

Access: Open access

Seán O’Faoláin (1900-1991) was an Irish writer, cultural critic, and editor of the literary magazine The Bell. He wrote prolifically throughout the twentieth century, and while his short stories are often anthologized, much of his work is now out of print. This project will examine O’Faoláin’s first two short story collections, Midsummer Night Madness (1932) and A Purse of Coppers (1937), within the context of the post-independence period in Ireland. The 1930s is a period often glossed over in both political and literary histories of Ireland, overshadowed by the Literary Revival and primarily characterized by deepening conservatism and political strife. However, the 1930s was also an era in which essential debates about Irish identity and the future of the Irish nation played out, in public discourse and in literature. Memory, in particular, served as an important site for these debates, as the newly independent Irish nation sought to define itself in relation to its turbulent past. O’Faoláin’s stories from this period reflect post-independence disillusionment and draw a desolate picture of a nation at a crossroads. At the same time, however, the stories draw upon revolutionary memories to construct a vision of a new Ireland, one no longer shaped by the legacies of colonialism. Situating O’Faoláin’s work within the context of postcolonial theory, my project argues for the postcolonial short story’s unique ability to represent identities in transition and shape the future of the Irish nation.

Date: 2016-05-01

Creator: Hallie Schaeffer

Access: Open access

Date: 2020-01-01

Creator: Jack Rodgers

Access: Open access

This project explores the convergence of futurity and ethics through an examination of key figures in modernist literature. It studies works by Virginia Woolf, Marcel Proust, and James Joyce in order to conceptualize an encounter with the future which goes beyond a traditionally linear and teleological model of time, setting out to reimagine the role of both temporality and ethics in novels including Orlando, Mrs. Dalloway, In Search of Lost Time, and Ulysses. Key facets of this exploration, which is metaphorized and guided by the image of a window, include temporal otherness, transgression and fracturing of the self (primarily understood through the paradoxical experience of dying), and the arrival of the future into the present. Major theoretical influences include queer theory, poststructuralism, and anti-dialectics. Ultimately, the project makes the case that it is possible to construct a modernist ethics which embraces the messianic potential of absences, blanks, and blind spots, a proposition made possible by our encounter with an incomprehensible yet imminent fragment of the future out of place in the present. At the close, it suggests an ethical imperative towards “affirmative negation”—a messianic, annunciatory, affirmation of that which is missing or omitted.