Showing 1 - 7 of 7 Items

Date: 2022-01-01

Creator: Ella Marie Jaman

Access: Open access

This paper examines selected stories from Filipino author, Nick Joaquin, through a gothic lens. Drawing from recent development in Gothic studies, I work within a tropical gothic and postcolonial gothic framework to suggest a localized "Philippine gothic" represented within Nick Joaquin's work. Stories examined include the novel "The Woman Who Had Two Navels," as well as the short stories "Summer Solstice, Mass of St. Sylvestre," and "The Order of Melkizedek."

Date: 2023-01-01

Creator: Miki Rierson

Access: Open access

In this project I work to recover influential yet often erased Asian American female immigrant chefs and food authors from the mid-twentieth century to the present, situating their contributions in a deep-rooted tradition of diasporic women who used cooking as a means of communal agency and care. Immigrant Asian cookbook authors and chefs have long faced internal criticisms from their own diasporic communities of either inauthenticity or engaging in “food pornography,” to use writer Frank Chin’s term—a line of criticism that Lisa Lau has elaborated on as “re-Orientalism.”Though these criticisms should not eclipse the works themselves, I discuss and counter them in my project because they reflect broader challenges faced particularly by Asian female diasporic authors even today. , I seek to address a broader scholarly gap through my project. Presently, much important work exists on the legacies of historical trauma and violence on marginalized communities, work that highlights the insidious ways violence manifests in academia, pop culture, and everyday lives. This project is a personal pursuit to focus on the healing and beautiful aspects of diasporic community and identity, an ode to the parts of us that are not defined by the pain and suffering but that seek self-affirmation beyond them.

Date: 2023-01-01

Creator: Josh-Pablo Manish Patel

Access: Open access

This project extends reparative reading practices to recent Asian American memoirs, specifically trauma memoirs from the past five years (2018-2022) that detail personal trauma and communal, intergenerational trauma. Reparative reading is explored within five memoirs: Stephanie Foo’s What My Bones Know (2022), Esmé Weijun Wang’s The Collected Schizophrenias (2019), Phuc Tran’s Sigh, Gone (2020), Cathy Park Hong’s Minor Feelings (2020), and Nicole Chung’s All You Can Ever Know (2018). In considering the reparative turn in Asian American memoirs, this thesis draws on and extends Eve Kosofsky Sedgwick’s reparative frameworks and bell hooks’ theories on pedagogy and love. A critical analysis of self-writings through pre-existing reparative reading models alongside traditional Asian American scholarship on racial melancholia resists the monopolistic dominance of overwhelming negative affects (such as shame, guilt, and anger) that saturate Asian American lives and life-writing. Instead, this alternative interpretative practice exposes how authors seek love, pleasure, and positivity within their texts and within their own lives, while also exploring the methods through which the memoirists themselves embody the reparative in writing and self-analysis. Thus, shaping the reparative turn for Asian America illuminates the productive ways reshaped methods of writing and criticism, and its resultant ethics of living, can push back against lived racial oppression and pain as well as decades of cultural erasure and intergenerational trauma. This varied engagement with love-based and reparative frameworks allows Asian American authors to begin healing from trauma, and this is evidenced through non-traditional psychiatric healing methods, literary methods, and strategies of communal formation.

Date: 2024-01-01

Creator: Mei Bock

Access: Open access

A collection of poems exploring threads including the Lower East Side, immigration, stray animals, art, and Chinese-American identity.

Date: 2024-01-01

Creator: Sophia Li

Access: Open access

My project approaches discussions of Asian American melancholia and mourning with a specific focus on contemporary Chinese American women’s fiction. Scholars such as David Eng, Shinhee Han, and Anne Anlin Cheng have long spotlighted the prevalence of depression among Asian American populations, particularly those with immigrant backgrounds, and they variously adopt psychoanalytic approaches to understand Asian American mental health and intersectional identities. Looking beyond psychoanalytic models, my project focuses on the works of Yiyun Li, Jenny Zhang, and K-Ming Chang to explore diverse forms of post-tragedy positionality. I read the authors paratextually, not only to locate them within legacies of diasporic fiction and intersectional auto-writing but also to highlight their critically self-reflexive authorship. I study novels and characters depicting complex processes of mourning, ultimately proposing a reading that views them not only as resisting complete recovery but as forging pathways toward liberatory grief.

Date: 2018-05-01

Creator: Brigitte Helene McFarland

Access: Open access

Date: 2022-01-01

Creator: Kyubin Kim

Access: Open access

In 2019, Korean American writer Cathy Park Hong published her memoir Minor Feelings: An Asian American Reckoning in the midst of a turning point in Asian American politics. Hong describes minor feelings as “emotions that are negative, dysphoric, and therefore untelegenic, built from the sediments of everyday racial experience and the irritant of having one’s perception of reality constantly questioned or dismissed.” Used as a concept to summate the Asian American experience in white America as living in a country where one’s reality is constantly questioned and made invisible, minor feelings forges an affective framework to study minoritized, diasporic literature. My project enriches Hong’s “minor feelings” by studying Korean American literature through a transnational and multimedia lens, considering how Korea’s colonial history and nation-building play roles in emoting Korean American self-realities. I structurally model my project after Sianne Ngai’s Ugly Feelings, split into four chapters, each focusing on one affect: shame, anger, han, and love. My project follows and documents the contemporary shifts occurring in Korean Americana, in how they perceive collective racial and diasporic identity, the intersectionality of layered identities, and the younger generations’ call for coalition. Since Korean American affects often are studied as an afterthought to Korean affects, my project retains a focus on the Korean American experience, recentering members of a diaspora whose globalizing homeland’s triumphs may eclipse their minor, invisible realities in America.