Showing 11 - 20 of 21 Items

Date: 2022-01-01

Creator: Gemma Jyothika Kelton

Access: Open access

Published narratives about adoptions have typically been told from the perspective of the adopter. In recent years, Asian American writers who are part of the transracial, transcultural, and even transcultural adoptions, have published their narratives and expanded the discourse on adoptions to include the voices of orphans and adoptees. While there are still not many published works by adoptees, more and more writers are coming forward with their own stories separate from their adoptive parents. This honors project is a memoir and a work of nonfiction that examines the author’s experiences as an adoptee from India. It explores the issues of skin color bias (or colorism) in Indian adoption, as well as Indian government policies on inter-country and in-country adoptions. This memoir also delves into the complexities of an adoptive mother-daughter relationship, particularly in the transracial context. The work of non-fiction tells the story of a single white American mother adopting a 10 year old Indian girl to the United States. Written from the adoptee’s perspective, the memoir follows the different points of transitions in both the mother’s and the daughter’s lives and the ensuing challenges, chaos, vulnerabilities, and moments of tenderness, mutual support, care, and love that blooms in their adoptive mother-daughter relationship. This work draws upon narratives of Asian American women writers including Michelle Zauner’s Crying in H-Mart, Nicole Chung’s All You Can Ever Know, and Nishta J. Mehra’s Brown White Black to acknowledge their own voices and give credibility to the adoptee narrative.

Date: 2023-01-01

Creator: Bobby Murray

Access: Open access

‘Vienna Secession’ is a poetry manuscript broken into four distinct sections: “The Vienna Secession,” “Waltzes,” “Short Talks,” and “Other.” Most of the manuscript is in dialogue with Secessionist artists, or the ethos of the Vienna Secession. However, others, like the haikus, are exercises of form and responses to other contemporary poets, such as Robert Hass or Richard Wright. The manuscript explores different genres, including ekphrasis, prose, and experimental poems, like the ‘Waltzes,’ which employ 3/4 meter to emulate the Viennese waltz. The heart of the project is its sonic awareness—pulling from W.H. Auden, August Kleinzahler, and other musically-oriented poets. Outside the ‘Short Talks’ section, the poems’ sonic and phonetic qualities are integral to their style and meaning. At times this may be subtle, or even indiscernible, but overall, careful attention is paid to the sound and rhythm of the poems. The manuscript should be considered in both musical and literary terms. Rainer Maria Rilke’s ‘Duino Elegies’ and advice in ‘Letters to a Young Poet’ are instrumental in creating these poems. As a ‘first statement,’ many poems battle with the insecurities of a young poet and exemplify the grapple of an aspiring creative. The poems consider antiquated things through contemporary frameworks; relationships, communication, masculinity, and suffering, to name a few. A general incentive of the work is to provide fresh perspectives on historical art and to import its most apposite sentiments into our current moment.

Date: 2020-01-01

Creator: Ishani Agarwal

Access: Access restricted to the Bowdoin Community

Date: 2022-01-01

Creator: Ella Pearl Crabtree

Access: Open access

“‘Possessive Gentleness’: Insecure Attachments in American Literature” applies psychological attachment theory to works of American Literature. Each novel examined—Uncle Tom’s Cabin (1851), Dred: A Tale of the Dismal Swamp (1856), and The Minister’s Wooing (1859) by Harriet Beecher Stowe, The Third Generation (1954) by Chester Himes, and The Bluest Eye (1970) by Toni Morrison—describes the forces behind insecure attachment relationships between child characters and their caregivers. The first chapter of this project focuses on Stowe’s anti-slavery novels. It argues that the institution of slavery is in conflict with Christianity in these works, because it impedes disinterestedly benevolent mothering and disrupts secure attachments. The second chapter analyzes The Third Generation, and suggests that colorism in the black community is the cause of insecure attachments in Himes’ work. The third and final chapter examines The Bluest Eye, and presents sympathy, as embodied by the novel’s narrator, as a potential remedy for insecure parent-child attachments. Together, these texts elucidate how societal forces (e.g. colorism, poverty) intrude upon the family structure and destabilize parent-child attachments. Optimistically, however, they also suggest that improved parent-child attachments might function as a vehicle of broader social change.

• Embargo End Date: 2026-05-18

Date: 2023-01-01

Creator: Andrew YH Chang

Access: Embargoed

Date: 2017-05-01

Creator: Savannah Blake Horton

Access: Open access

This is What You Want: Stories is a collection of nine stories exploring the role of humor in dark situations. It is a work of fiction.

Date: 2020-01-01

Creator: Mackenzie Philbrick

Access: Open access

Sex Sells: The Iconography of Sex Work in Contemporary Art Since 1973, explores contemporary renderings of the sex worker as a response to the heavily constructed formalist ideology of the “pure gaze” which privileged the heterosexual male voyeur. The analysis covers a broad range of media, sectioned off into three chapters—painting and photography, body art, and systemic critiques—to explore the affordances of each in critiquing the position of the voyeur as well as the larger capitalistic system. The first chapter investigates the ways in which realistic pictorial renderings depicted the sex worker to impose the voyeuristic viewing position of pornography onto the art-viewer. The second focuses on the relationship between the viewer and the commodified female body, as performers replaced the art commodity with their sexualized bodies. The third chapter discusses larger institutional critiques which illuminate the processes of class structuring in capitalism by recreating the capitalist exploitation or institutional shortcomings of our current sociopolitical system. Taken together, these works respond to the modernist commodification of the art object and female sexuality, which formalist viewing dynamics both reflected and promoted. The artists emphasize the real ramifications of class construction and relational or performative identity to understand how larger social processes play out on certain marginalized bodies, thus highlighting the inherent problems embedded in these social, cultural, and economic systems.

Date: 2023-01-01

Creator: Natsumi Lynne Meyer

Access: Open access

I think it started in December 2017, when my Mama sent me to Japan to take care of my grandparents, Baba and Jiji, alone. I had been to Japan almost every year since I was eleven years old, and several times before that too, but this was my first time without Mama. When Mama was there, Japan was filtered through her. I could poke bits of myself through her editing and approval. I could read street signs because of the way she read them, and I could understand my grandparents’ sighs from the timbre of her translation. That December, though, I had to see and hear alone. The tiny shakes in Baba’s legs and the indentation in Jiji’s forehead from when he fell down the stairs crystallized in my memory, and I had to write about it. This project includes a series of creative nonfiction and fiction pieces centered around telling my family stories. Writing from interviews, observations, and generational memories, I weave together these story fragments to discuss Asian American identity and immigration, WWII trauma, aging, and inheritance.

Date: 2021-01-01

Creator: Norell Sherman

Access: Access restricted to the Bowdoin Community

• Embargo End Date: 2026-05-20

Date: 2021-01-01

Creator: Lianna Harrington

Access: Embargoed