Showing 1 - 10 of 21 Items

Date: 2024-01-01

Creator: Mei Bock

Access: Open access

A collection of poems exploring threads including the Lower East Side, immigration, stray animals, art, and Chinese-American identity.

Date: 2023-01-01

Creator: Susu Gharib

Access: Open access

This paper details the ways in which IVF and infertility influencers on Instagram use their platforms to resist the silence surrounding reproductive difficulties. The analysis draws upon a thematic analysis of posts tagged with IVF-related hashtags and a semi-structured ethnographic interview with one influencer. Through these methods, I found that influencers build intimate publics through their platforms by sharing their journeys, interacting with followers, and reciprocal support. Within the context of the intimate publics, influencers are able to connect with others who understand their experiences, allowing them to break through the silence they may feel in their offline social groups.

Date: 2023-01-01

Creator: Philip Carl Bonanno

Access: Open access

This project explores fiction from white authors in the Southern Renaissance, specifically William Faulkner, Flannery O’Connor, and Carson McCullers. By examining their work alongside some of the performers that appeared historically in freak shows of the South, chapter one investigates how physically enfreaked individuals (usually phenotypically white) have access to power and the powers of whiteness. Chapter 2 interrogates how the South pathologizes promiscuity as mental illness with words such as moronic or feeble-mindedness, and the ramifications it has for the stratification on class divides among Southern elites and “White Trash.” The chapter seeks to answer the question of why, for a short period in the 1940s, white women were more likely to be punished with forced sterilization than Black women. Chapter 3 uncovers the rhetorical agency used by Benjy in Faulkner’s The Sound and the Fury, looking at how he resists the powers of whiteness through crip time and his trauma responses to his family that seeks to reinsert the Antebellum South. Using an intersectional approach of critical whiteness studies, disability studies, crip theory, and queer theory, relies on a variety of scholars including, but not limited to; David Mitchell and Sharon Snyder, Rosemarie Garland-Thompson, Richard Dyer, Matt Wray, Jasbir Puar, Ellen Samuels, and Allison Kafer. The primary works examined include promotional materials of historical freaks, McCullers’ The Ballad of a Sad Café, William Faulkner’s The Hamlet and The Sound and the Fury, and Flannery O’Connor short stories “Good Country People” and “A Temple of the Holy Ghost.”

Date: 2023-01-01

Creator: Bobby Murray

Access: Open access

‘Vienna Secession’ is a poetry manuscript broken into four distinct sections: “The Vienna Secession,” “Waltzes,” “Short Talks,” and “Other.” Most of the manuscript is in dialogue with Secessionist artists, or the ethos of the Vienna Secession. However, others, like the haikus, are exercises of form and responses to other contemporary poets, such as Robert Hass or Richard Wright. The manuscript explores different genres, including ekphrasis, prose, and experimental poems, like the ‘Waltzes,’ which employ 3/4 meter to emulate the Viennese waltz. The heart of the project is its sonic awareness—pulling from W.H. Auden, August Kleinzahler, and other musically-oriented poets. Outside the ‘Short Talks’ section, the poems’ sonic and phonetic qualities are integral to their style and meaning. At times this may be subtle, or even indiscernible, but overall, careful attention is paid to the sound and rhythm of the poems. The manuscript should be considered in both musical and literary terms. Rainer Maria Rilke’s ‘Duino Elegies’ and advice in ‘Letters to a Young Poet’ are instrumental in creating these poems. As a ‘first statement,’ many poems battle with the insecurities of a young poet and exemplify the grapple of an aspiring creative. The poems consider antiquated things through contemporary frameworks; relationships, communication, masculinity, and suffering, to name a few. A general incentive of the work is to provide fresh perspectives on historical art and to import its most apposite sentiments into our current moment.

• Embargo End Date: 2026-05-18

Date: 2023-01-01

Creator: Andrew YH Chang

Access: Embargoed

Date: 2023-01-01

Creator: Natsumi Lynne Meyer

Access: Open access

I think it started in December 2017, when my Mama sent me to Japan to take care of my grandparents, Baba and Jiji, alone. I had been to Japan almost every year since I was eleven years old, and several times before that too, but this was my first time without Mama. When Mama was there, Japan was filtered through her. I could poke bits of myself through her editing and approval. I could read street signs because of the way she read them, and I could understand my grandparents’ sighs from the timbre of her translation. That December, though, I had to see and hear alone. The tiny shakes in Baba’s legs and the indentation in Jiji’s forehead from when he fell down the stairs crystallized in my memory, and I had to write about it. This project includes a series of creative nonfiction and fiction pieces centered around telling my family stories. Writing from interviews, observations, and generational memories, I weave together these story fragments to discuss Asian American identity and immigration, WWII trauma, aging, and inheritance.

Date: 2023-01-01

Creator: Zoë Ellis Wilson

Access: Access restricted to the Bowdoin Community

Date: 2022-01-01

Creator: Ella Marie Schmidt

Access: Open access

I wrote Divinity School, an Honors Project for the Department of English, under the auspices of my project advisor, Professor Anthony Walton, and my readers, Professors Marilyn Reizbaum, Ann Kibbie, and Aaron Kitch. Divinity School is a novel whose conflicts are religious, generational, and familial. Set mostly in Hoboken, New Jersey with vignettes in Manhattan, Vienna, the west coast of Ireland, and an anonymous New England college town, it is the story of one family and the open secrets that keep them apart. Hal Macpherson is a Divinity School professor uged into premature retirement by allegations of misconduct; his wife, Annie Price, is a withdrawn would-be actress. They are parents to Amelia Macpherson, a woman in her twenties who rejects her father’s righteous claims of innocence and her mother’s exhausted but unwavering devotion to him. This project is concerned with sex and pedagogy, youth, want-it-all politcs, parenthood, getting old, Protestantism, and domestic life. Using third-person free indirect style, I traverse the public-private planes of literature. As an undergraduate at Bowdoin College, I have enjoyed the privilege of a great English education in literature, creative writing, and independent work. Divinity School is the culmination of these studies.

• Embargo End Date: 2025-05-19

Date: 2022-01-01

Creator: Francesca Mauro

Access: Embargoed

• Embargo End Date: 2027-05-19

Date: 2022-01-01

Creator: Clayton James Wackerman

Access: Embargoed