Showing 1 - 4 of 4 Items

Date: 1993-01-01

Creator: Charles C Calhoun

Access: Open access

A Small College in Maine (1993), by Charles Calhoun and published in conjunction with Bowdoin’s bicentenary, provides a readable, illustrated history of the College. Calhoun cites numerous primary resources that are helpful for further historical inquiry.

Date: 1988-01-01

Creator: Patricia McGraw Anderson

Access: Open access

The Architecture of Bowdoin College (1988), by Patricia McGraw Anderson, is the best single resource for the architectural history of Bowdoin’s campus buildings, gates, and memorials.

Date: 2021-01-01

Creator: Archer Thomas

Access: Open access

The switch from late modernism to postmodernism in Western aesthetic theory and criticism took place in the mid-to-late 20th century, radically changing the face of cultural criticism. Much has been written on how postmodernism broke from modernism, but what factors paved its way in the decades following the Second World War? This paper argues that postmodernism represents both a reaction to and a necessary evolution of late modernism, specifically as it manifests in architecture, politics, and the politics of architecture. It focuses on the crisis of confidence among Western left-wing circles following the upheaval of the Second World War and posits that, because of this upheaval, primitivism came to dominate the epistemology of a renewed modernism led by figures such as Clement Greenberg, Reyner Banham, and the practitioners of “the New Brutalism.” The paper then explores how the Western left-wing reaction to developments like decolonization and postwar modernization challenged primitivity’s newfound importance, resulting in a shift towards a “postmodern populism” in aesthetics and politics by the 1960s as described by Jean Baudrillard, Fredric Jameson, Robert Venturi, and Reyner Banham.

Date: 2022-01-01

Creator: Micah Benjamin Wilson

Access: Open access

This thesis investigates three predominantly Jewish housing cooperatives that emerged in the Bronx in the late 1920s. The Amalgamated Housing Cooperative, the United Workers Cooperative Colony (the “Coops”), and the Sholem Aleichem Houses offered garment workers utopian retreats from the drudgery of Lower East Side tenements where Jewish immigrants arrived in droves between 1890-1920. With each cooperative housing a distinct faction of the Jewish Left––from socialists to communists to Yiddish nationalists––the Bronx housing cooperatives, more than experiments in communal living, were the site of a highly contested battle over competing Jewish cultural and political worldviews across the 1930s and 1940s. Transcending the era that is typically considered the movement’s “peak” in the 1910s, this thesis demonstrates that the era of the Bronx cooperatives must be central to any study of the Jewish labor movement by revealing the ways radical Jews attempted to maintain and negotiate their various worldviews against the backdrop of the threats posed by the capitalist housing market, assimilation, and sectarian struggles. I reconsider the disproportionate attention the “success story” of the Amalgamated Cooperative has received, situating its politics as but one of many responses to the contradictions embedded in the housing cooperative model. Finally, I analyze the role of nostalgia present across resident recollections of the cooperatives and situate it in the contexts of 1970s neoliberal urban reform and suburbanization, while considering the discursive power of this emotion to obscure the persistent legacy of anti-black racism entangled in the cooperative housing movement despite its progressive reputation.