Showing 41 - 50 of 53 Items

Minor, Ugly, and Meta: Feelings in Contemporary Korean American Literature

Date: 2022-01-01

Creator: Kyubin Kim

Access: Open access

In 2019, Korean American writer Cathy Park Hong published her memoir Minor Feelings: An Asian American Reckoning in the midst of a turning point in Asian American politics. Hong describes minor feelings as “emotions that are negative, dysphoric, and therefore untelegenic, built from the sediments of everyday racial experience and the irritant of having one’s perception of reality constantly questioned or dismissed.” Used as a concept to summate the Asian American experience in white America as living in a country where one’s reality is constantly questioned and made invisible, minor feelings forges an affective framework to study minoritized, diasporic literature. My project enriches Hong’s “minor feelings” by studying Korean American literature through a transnational and multimedia lens, considering how Korea’s colonial history and nation-building play roles in emoting Korean American self-realities. I structurally model my project after Sianne Ngai’s Ugly Feelings, split into four chapters, each focusing on one affect: shame, anger, han, and love. My project follows and documents the contemporary shifts occurring in Korean Americana, in how they perceive collective racial and diasporic identity, the intersectionality of layered identities, and the younger generations’ call for coalition. Since Korean American affects often are studied as an afterthought to Korean affects, my project retains a focus on the Korean American experience, recentering members of a diaspora whose globalizing homeland’s triumphs may eclipse their minor, invisible realities in America.


Miniature of Pathways: Montana Stories and Poems
Pathways: Montana Stories and Poems
This record is embargoed.
    • Embargo End Date: 2027-05-16

    Date: 2024-01-01

    Creator: Tess Davis

    Access: Embargoed



      "One Never Knew": David Foster Wallace and the Aesthetics of Consumption

      Date: 2016-05-01

      Creator: Jesse Ortiz

      Access: Open access

      Increasingly, David Foster Wallace is becoming a cult figure among literary enthusiasts. His novels, essays, and short stories are all known for their poignant critiques of modern culture. Since his 2008 suicide, Wallace’s name has come to represent a way of thinking that rejects – and perhaps transcends – the hegemonic power of late capitalism. Wallace had a problem with pleasure. His writing often seemed to deflate or deconstruct what many people enjoy. For him, so much was “supposedly fun.” To understand Wallace’s relationship with pleasure, we must see how pleasure incorporates aesthetics and consumption. Wallace takes issue with the pleasure that comes from the aesthetics of cultural commodities. Irony produces pleasure, which turns culture into a desirable commodity. In my first chapter, I argue that Wallace’s essays challenge aesthetic pleasure by deconstructing self-reflexive irony. In his descriptions of consumer culture, Wallace evokes the feeling of disgust to undo the aesthetic pleasure of consumption. In my second chapter, I move to Infinite Jest to show how Wallace engages with irony while using it to exceed aesthetic pleasure. Infinite Jest challenges the hierarchy of aesthetics and suggests that deformity and waste can be beautiful and important. Infinite Jest demonstrates that, by trusting others instead of pursuing aesthetic ideals, people can build communities that are more honest and fulfilling than the pleasure of consumption.


      Miniature of When There's A Fire–Short Stories
      When There's A Fire–Short Stories
      Access to this record is restricted to members of the Bowdoin community. Log in here to view.

          Date: 2023-01-01

          Creator: Zoë Ellis Wilson

          Access: Access restricted to the Bowdoin Community



            Miniature of Nonprophets: a novel
            Nonprophets: a novel
            This record is embargoed.
              • Embargo End Date: 2025-05-14

              Date: 2020-01-01

              Creator: Nathan Osiason Blum

              Access: Embargoed



                "Possessive gentleness": Insecure Attachments in American Literature

                Date: 2022-01-01

                Creator: Ella Pearl Crabtree

                Access: Open access

                “‘Possessive Gentleness’: Insecure Attachments in American Literature” applies psychological attachment theory to works of American Literature. Each novel examined—Uncle Tom’s Cabin (1851), Dred: A Tale of the Dismal Swamp (1856), and The Minister’s Wooing (1859) by Harriet Beecher Stowe, The Third Generation (1954) by Chester Himes, and The Bluest Eye (1970) by Toni Morrison—describes the forces behind insecure attachment relationships between child characters and their caregivers. The first chapter of this project focuses on Stowe’s anti-slavery novels. It argues that the institution of slavery is in conflict with Christianity in these works, because it impedes disinterestedly benevolent mothering and disrupts secure attachments. The second chapter analyzes The Third Generation, and suggests that colorism in the black community is the cause of insecure attachments in Himes’ work. The third and final chapter examines The Bluest Eye, and presents sympathy, as embodied by the novel’s narrator, as a potential remedy for insecure parent-child attachments. Together, these texts elucidate how societal forces (e.g. colorism, poverty) intrude upon the family structure and destabilize parent-child attachments. Optimistically, however, they also suggest that improved parent-child attachments might function as a vehicle of broader social change.


                Miniature of Errandsphere
                Errandsphere
                Access to this record is restricted to members of the Bowdoin community. Log in here to view.
                • Restriction End Date: 2026-06-01

                  Date: 2021-01-01

                  Creator: Aida Muratoglu

                  Access: Access restricted to the Bowdoin Community



                    Seasons Without Borders: the Ali Smith Quartet

                    Date: 2021-01-01

                    Creator: Claire M Burns

                    Access: Open access

                    This project considers how the novels of contemporary Scottish author Ali Smith work to destabilize traditional constructions of temporal, formal, national, and gender borders. The motifs of the border and the border identity have been thematically pervasive in Scottish literary history, as reflected in the recurrence of the Scottish split identity. This thesis explores how the borders that have become essential to the construction of Scottish national literature, often relying on binaristic categorizations, have been disestablished in the contemporary era. Ali Smith’s novels, particularly the novels of her seasonal quartet, introduce forms and figures that highlight the instability of many of these borders, challenging fixed representations of the border identity. Through this focus on Scotland, Smith constructs a template for a consideration of national identity beyond the boundaries of Scotland, extending toward a more global sensibility.


                    Miniature of Neptune City
                    Neptune City
                    This record is embargoed.
                      • Embargo End Date: 2026-05-18

                      Date: 2023-01-01

                      Creator: Lily Randall

                      Access: Embargoed



                        Invisible Ailments: A Collection

                        Date: 2023-01-01

                        Creator: Jane L. Godiner

                        Access: Open access

                        "Invisible Ailments" is a collection of short stories that trace the depth, breath, and sweeping range of lived experiences of people struggling with mental illness. While it is a work of fiction, the people in these stories might feel eerily familiar — to your friends, your family members, your loved ones, or, if you're brave enough to admit it, yourself.