Showing 21 - 30 of 53 Items
The Epistemology of Observation: Performance, Power, and The Regulation of Female Sexuality in The Duchess of Malfi and The Changeling
Date: 2018-05-01
Creator: Sarah Claudia Bonanno
Access: Open access

“Unstuck in Time and Space”: Time Travels in Teen Cinema Access to this record is restricted to members of the Bowdoin community. Log in here to view.
Date: 2021-01-01
Creator: Hallowell Lyne
Access: Access restricted to the Bowdoin Community

Palimpsestuous London: Spatial and Temporal Layering in Fin-de-Siècle Victorian Fiction Access to this record is restricted to members of the Bowdoin community. Log in here to view.
Date: 2015-05-01
Creator: Elisabeth A Strayer
Access: Access restricted to the Bowdoin Community

Possessing Her: Embodying Identity in Exorcism Cinema Access to this record is restricted to members of the Bowdoin community. Log in here to view.
Date: 2021-01-01
Creator: Alicia Echavarria
Access: Access restricted to the Bowdoin Community
"In Loving Virtue": Staging the Virgin Body in Early Modern Drama
Date: 2022-01-01
Creator: Miranda Viederman
Access: Open access
- The aim of this Honors project is to investigate representations of female virginity in Renaissance English dramatic works. I view the period as one in which the womb became the site of a unique renewal of cultural anxieties surrounding the stability of the patriarchy and the inaccessibility of female sexual desire. I am most interested in virginity as a “bodily narrative” dependent on the construction and maintenance of performance. I analyze representations of virginity in female characters from four works of drama originating in the Jacobean period of the English Renaissance, during and after the end of the reign of Elizabeth I, the Virgin Queen. Across four chapters, I examine the characters of Isabella from Shakespeare’s Measure for Measure (1604), Beatrice-Joanna from Thomas Middleton’s The Changeling (1622), the Jailer’s Daughter from Shakespeare and Fletcher’s The Two Noble Kinsmen (1634), and Helen from Shakespeare’s All’s Well That Ends Well (c. 1602-1605). To establish a framework for my readings, I situate each work in its contemporary cultural context, drawing upon Catholic and Protestant religious doctrines, period medical texts, and popular culture. I intend to explore the complex, often contradictory nature of the forms of virginity the plays depict. Still, I hope by uncovering the opportunities these four characters are provided by their virginity, that I can widen the confines of the category.

They Used to Be Castles Access to this record is restricted to members of the Bowdoin community. Log in here to view.
Date: 2021-01-01
Creator: Lily Anna Fullam
Access: Access restricted to the Bowdoin Community

Postmemory’s Shadow Archives: Reshaping the Punctum in Asian Diaspora Poetry This record is embargoed.
- Embargo End Date: 2029-05-16
Date: 2024-01-01
Creator: Hannah Kim
Access: Embargoed
In and out of the spectacle: The Beijing olympics and Yiyun Li's The Vagrants
Date: 2011-01-01
Creator: Belinda Kong
Access: Open access

Food Comes First: Growing Up at my Family’s Table This record is embargoed.
- Embargo End Date: 2025-05-14
Date: 2020-01-01
Creator: Eleanor Sapat
Access: Embargoed