Showing 231 - 240 of 317 Items
Narrative, Identity, and Holocaust Memorialization in the United States
Date: 2020-01-01
Creator: Alexander Noah Kogan
Access: Open access
- Narratives at Holocaust memorials and museums in the United States connect the Holocaust to present-day identities and weave the Holocaust into American history. Holocaust narratives––whether at the universal, national, or local level––draw moral lessons from the past. These narratives and their moral lessons redefine what constitutes the Holocaust and are determined by the needs and sentiments of the present. The sites of remembrance in this thesis at once show the significance of the Holocaust in American identities at both national and local levels, as well as encourage an active remembrance of the past that restructures these identities. The type of active remembrance and its purpose differs at each site, but each encourages a reconsideration of the past to find potentially applicable lessons for the present.
Campaigning for the Court: The Effect of Presidential Campaign Rhetoric on the Supreme Court
Date: 2021-01-01
Creator: Mackey O'Keefe
Access: Open access
- This paper investigates how presidential candidates speak about the Supreme Court on the campaign trail, and how the ideological tenor of their rhetoric influences outcomes on the Court. Rhetoric is a powerful and well-researched tool of the presidency and has often been called “the power to persuade.” Much of judicial politics scholarship works to describe judicial decision making, investigating what constrains the actions and decisions of the Supreme Court. Though some scholarship has examined how presidential rhetoric affects the Supreme Court, little has been conducted in the area of presidential campaigns. This paper argues that presidential campaign rhetoric influences the Supreme Court by demonstrating that in the area of civil liberties the ideology of the winning presidential candidates' campaign rhetoric concerning the Supreme Court has a statistically significant effect on the percent of liberal rulings the Court issues one year after an election.
The United States’ and United Kingdom’s Responses to 2016 Russian Election Interference: Through the Lens of Bureaucratic Politics
Date: 2021-01-01
Creator: Katherine Davidson
Access: Open access
- Russia’s 2016 disinformation campaign during the U.S. elections represented the first large-scale campaign against the United States and was intended to cause American citizens to question the fundamental security and resilience of U.S. democracy. A similar campaign during the 2016 U.K. Brexit referendum supported the campaign to leave the European Union. This paper assesses the policy formation process in the United States and United Kingdom in response to 2016 Russian disinformation using a bureaucratic politics framework. Focusing on the role of sub-state organizations in policy formation, the paper identifies challenges to establishing an effective policy response to foreign disinformation, particularly in the emergence of leadership and bargaining, and the impact of centralization of power in the U.K. Discussion of the shift in foreign policy context since the end of the Cold War, which provided a greater level of foreign policy consensus, as well as specific challenges presented by the cyber deterrence context, supplements insights from bureaucratic politics. Despite different governmental structures, both countries struggled to achieve collaborative and systematic policy processes; analysis reveals the lack of leadership and coordination in the United States and both the lack of compromise and effective fulfillment of responsibilities in the United Kingdom. Particular challenges of democracies responding to exercises of sharp power by authoritarian governments point to the need for a wholistic response from public and private entities and better definition of intelligence agencies’ responsibility to election security in the U.K.
“How the World Could Be in Spite of the Way That It Is”: Broadway as a Reflection of Contemporary American Sociopolitical Life
Date: 2020-01-01
Creator: Isabel Thomas
Access: Open access
- Drawing on the plays and musicals of the 2018-2019 Broadway season, this thesis examines how theatre responds to the sociocultural, economic, and political conditions of society. Sociologists have largely overlooked theatre’s cultural influence, but Broadway productions act as social reflection by reproducing the conversations and inequalities of their context. Access to Broadway is limited, in various manners, by socioeconomic class, race, gender, ability, and age. As conversations about equity expand and audiences increasingly demand diversified representation, Broadway begins to shed the restraints of its conventions. In many regards, the recent changes fail in meaningfully transforming the Broadway institution. Those who control the stories on Broadway stages—producers, directors, writers—are disproportionately white and men, and the stories themselves predominantly uphold white privilege and heteronormativity. Economic pressures keep Broadway producers focused on high profit and cultural capital, at the expense of artistic and political risk. Broadway has particular affective power, employing the uniquely provocative effect of live theatre for unparalleled numbers of people. This influence is accompanied by responsibility to contribute to society’s progress rather than its stagnation, a responsibility which Broadway falls behind in fulfilling.
Human Today, Posthuman Tomorrow in Margaret Atwood's MaddAddam Trilogy
Date: 2020-01-01
Creator: Benjamin Bousquet
Access: Open access
- Human Today, Posthuman Tomorrow explores the relationship between the human and the nonhuman in Margaret Atwood’s MaddAddam trilogy through the lens of posthuman theory. Atwood’s trilogy depicts a dystopian, anthropocentric world that hinges upon an apocalyptic, man-made epidemic known as the Waterless Flood. Through posthuman theory, this thesis looks at ways to reconcile the oppositional and hierarchical relationship between the human and the nonhuman. The thesis is split into three main chapters, each of which engages a different posthuman theory. The first chapter addresses the concept of hybridity as it is elaborated by Rosi Braidotti’s The Posthuman. Next, the thesis turns to Donna Haraway’s “The Companion Species Manifesto” to address the ways human-animal relations in the trilogy are imagined as mutual and non-hierarchical. The last chapter turns to the pigoon/human relationship through Gilles Deleuze and Félix Guattari’s concept of becoming to understand the ways in which humans and pigoons build a new, non-oppositional relationship. In all, this thesis works to understand the stakes of the trilogy through posthumanism to argue that only through a posthuman understanding of the world are we able to erode oppositional differences between humans and nonhumans and create a future inhabitable for all.
Sex Sells: The Iconography of Sex Work in Contemporary Art Since 1973
Date: 2020-01-01
Creator: Mackenzie Philbrick
Access: Open access
- Sex Sells: The Iconography of Sex Work in Contemporary Art Since 1973, explores contemporary renderings of the sex worker as a response to the heavily constructed formalist ideology of the “pure gaze” which privileged the heterosexual male voyeur. The analysis covers a broad range of media, sectioned off into three chapters—painting and photography, body art, and systemic critiques—to explore the affordances of each in critiquing the position of the voyeur as well as the larger capitalistic system. The first chapter investigates the ways in which realistic pictorial renderings depicted the sex worker to impose the voyeuristic viewing position of pornography onto the art-viewer. The second focuses on the relationship between the viewer and the commodified female body, as performers replaced the art commodity with their sexualized bodies. The third chapter discusses larger institutional critiques which illuminate the processes of class structuring in capitalism by recreating the capitalist exploitation or institutional shortcomings of our current sociopolitical system. Taken together, these works respond to the modernist commodification of the art object and female sexuality, which formalist viewing dynamics both reflected and promoted. The artists emphasize the real ramifications of class construction and relational or performative identity to understand how larger social processes play out on certain marginalized bodies, thus highlighting the inherent problems embedded in these social, cultural, and economic systems.
From “a Journey for Peace” to the “Butchers of Beijing”: How Presidents have Used Rhetoric about China to Win the Two-Level Game
Date: 2021-01-01
Creator: Juliet Halvorson-Taylor
Access: Open access
- This thesis is an exploration of how American presidents have used rhetoric for strategic ends in the US-China relationship. Whenever a president speaks, he is speaking to multiple audiences at the same time, yet he also must balance a number of important considerations. I used Robert Putnam’s “Two-Level Game Theory” as a framework for understanding the conditions surrounding a moment of significance in US-China relations in order to decipher a president’s rhetorical choices. The project is divided into five main parts. First, I used the UCSB American Presidency Project to identify broad trends in rhetoric towards China across presidencies. I found that every president has spoken more about China than his predecessor since the 1980s and that presidents are increasingly using negative rhetoric when talking about China. Then, I conducted three case studies, within the Putnam framework, on important points in three presidencies: Truman’s decision to withdraw aid from the KMT, Nixon’s visit to China, and Clinton’s reversal on the issue of MFN status for China. Lastly, I concluded that when “win-sets” on both sides (in these examples: on both the American and Chinese sides) are either large or small, a president should speak about China more frequently. I also looked at Trump’s presidency and the beginnings of Biden’s in order to see how these trends are playing out currently.
Skin Deep: Analyzing Black Representation in the Teaching of Visual Arts
Date: 2021-01-01
Creator: Destiny Arianna Kearney
Access: Open access
- My honors thesis argues that at Bowdoin College, failure to provide Culturally Relevant Teaching in art studio courses dismisses the representation of Blackness in the Visual Arts Department. Culturally Relevant Teaching (CRT) recognizes the importance of all students' cultural experiences in different aspects of learning. It allows for equitable access to education for students of diverse backgrounds. CRT is crucial to reconstructing Art Education to represent diverse student bodies. My position as a Black-Indigenous artist enables me to reflect on the intersection of these frameworks and to build upon them in order to highlight the need for pedagogical practice in studio art courses, that doesn’t center technical training derived from the Western canon of art production in Bowdoin’s Visual Arts Department. My research lives on a digital format, where you will engage with the history of Art at Bowdoin from 1794 to the present, oral histories from Black identifying alumni who have navigated the department, theoretical frameworks, and an auto ethnography that breaks down my self-taught pedagogical practice in response to the representational gaps in the curriculum. As you navigate this site, I ask you to follow the written instructions and engage with the interactive material. I will virtually guide you through this project chronologically, and through the lens in which I have experienced personally and through observation.
From Left to Right? White Evangelical Politicization, GOP Incorporation, and the Effect of Party Affiliation on Group Opinion Change
Date: 2013-05-01
Creator: Devon B Shapiro
Access: Open access
- While most white evangelicals in America have advocated moral, cultural, and social conservatism since the Founding, the group’s fiscal and social welfare preferences have been more volatile. Early 20th century evangelicals tended to be socially conservative, fiscally liberal, and, to the extent that they were politicized, mostly Democratic partisans. Since that time, not only have white evangelicals abandoned the Democratic Party, but also they have largely become fiscal and social welfare conservatives. I attempt to explain that transformation. I first examine the dynamics of white evangelical politicization and GOP incorporation, providing social and historical context to the political and partisan calculations of white evangelicals since the 1970s. Further, I propose a party affiliation effect that helps to explain white evangelical fiscal and social welfare conservatism. This effect asserts that partisanship penetrates individual conceptions of political issues. In the case of white evangelicals, I argue that the group affiliated with the GOP largely on the basis of socio-moral issues and concerns. Partly as a result of that affiliation, group opinion on fiscal policy began to drift to the right, toward the Republican Party status quo. Consistent with this claim, I provide longitudinal analyses of ANES and GSS data that shed light on the timing of opinion changes. As we would expect, white evangelical opinion on economic issues was closer to Democratic partisans during the 1960s and moved moved toward Republicans during the 1980s-1990s.
Bodies, Memories, Ghosts, and Objects or Telling a Memory
Date: 2023-01-01
Creator: Natsumi Lynne Meyer
Access: Open access
- I think it started in December 2017, when my Mama sent me to Japan to take care of my grandparents, Baba and Jiji, alone. I had been to Japan almost every year since I was eleven years old, and several times before that too, but this was my first time without Mama. When Mama was there, Japan was filtered through her. I could poke bits of myself through her editing and approval. I could read street signs because of the way she read them, and I could understand my grandparents’ sighs from the timbre of her translation. That December, though, I had to see and hear alone. The tiny shakes in Baba’s legs and the indentation in Jiji’s forehead from when he fell down the stairs crystallized in my memory, and I had to write about it. This project includes a series of creative nonfiction and fiction pieces centered around telling my family stories. Writing from interviews, observations, and generational memories, I weave together these story fragments to discuss Asian American identity and immigration, WWII trauma, aging, and inheritance.